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Fix it, give it, rethink it: newest Greenmap for NYC

waste_map

New York City has been adapt­ing, inno­vat­ing, or neglect­ing its waste stream across four cen­turies of set­tle­ment and growth. Long­time car­tog­ra­phers of the city, globe, and envi­ron­ment Green­maps have com­bined some of the his­tory, and where we stand now, into one resource: a map for New York­ers who want to con­sume and waste less. Which is handy, as research seems to show that you get a bet­ter return on dif­fer­ent uses of money.

The pdf of the “Less is More” map for New York­ers, which should be down­loaded to see in rich full detail, is designed by fel­low City Atlas con­trib­u­tor Aaron Reiss, with research help from Alex Purdy. Fund­ing for the printed ver­sion pro­vided by Con Edi­son. Among the high­lights: our thrifty mayor has gone through three terms in office with only two pairs of shoes.

To find the printed map in local stores fol­low Less=More Green Map of NYC on Facebook.

A par­al­lel tagged Google map with icons for waste and recy­cling resources is here.

 

Birdwatching canoe trips

Break out the binoc­u­lars! Did you know that there are nooks and cran­nies on New­town Creek that har­bor wildlife? Did you know that creep­ing along in a canoe is the best way to view the inter­tidal zone and view a heron unruf­fled? In 2013 we will be lead­ing approx­i­mately one bird­watch­ing canoe tour per month, led by our own cer­ti­fied trip lead­ers in inti­mate groups of about ten paddlers.”

North Brook­lyn Boat­club joins with New­town Creek Alliance for monthly bird­watch­ing expe­di­tions, begin­ning Sun­day, May 26. Tick­ets (which cover insur­ance, guide, and equip­ment) are $20 at the New­town Creek Alliance site.

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Youth as Untapped Capital


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’Youth,’ accord­ing to Oscar Wilde, ‘is wasted on the young.’ While this old adage remains today, it is this panel’s con­tention that, with proper nur­ture, youth has the poten­tial to be a pow­er­ful force. Youth is, after all, a vast global neigh­bor­hood replete with its own gov­ern­ment, social net­works, and modes of learn­ing. Youth’s prob­lems emerge from the unstop­pable shadow of the world it enters. Youth as Untapped Cap­i­tal is the sub­ject of this panel, where men­tors and inno­va­tors dis­cuss the incred­i­ble capac­ity of today’s youth as inno­va­tors for change.” — from IDEAS CITY, a four day explo­ration of the future of cities, held in Lower Man­hat­tan from May 1 – 4, 2013, orga­nized by the New Museum.

CITY ATLAS was glad to par­tic­i­pate in the IDEAS CITY Street­Fest this year with our Share Your City tat­too project. We also took the oppor­tu­nity to attend sev­eral of the con­fer­ence pan­els held at Cooper Union’s Great Hall, which we will cover in these pages, begin­ning today with the IDEAS CITY panel on youth at a time of rapid transformation.

Den­nis Scholl of the Knight Foun­da­tion mod­er­ated the panel, which explored how orga­ni­za­tions can access the energy and capa­bil­i­ties of young peo­ple in cities every­where. Four pan­elists were invited to present their work: Naomi Hirabayashi of DoSome​thing​.org, visual artist Barry McGee, visual artist Car­los Motta, and Ellin O’Leary of Youth Radio.

DoSome​thing​.org is a plat­form that allows young peo­ple to par­tic­i­pate in social activism with­out need­ing “money, a car, or an adult”.  There are pre-defined cam­paigns with action items that peo­ple can par­tic­i­pate in, or peo­ple can cre­ate their own. Naomi talked about the great suc­cess of their pro­grams in mobi­liz­ing youth to act on diverse issues, from home­less­ness to tex­ting while dri­ving. She showed how DoSome​thing​.org taps into the unique and advan­ta­geous posi­tion young peo­ple have over an adult author­ity fig­ure when edu­cat­ing other young people.

Painting by Barry McGee

Barry McGee

Barry McGee’s inter­ests are in “youth­ful activ­i­ties and things that are slightly agi­tat­ing”, mainly in the form of street art. He sees graf­fiti as a venue for self-expression in pub­lic spaces, con­trast­ing it with large print adver­tise­ments: “A tag isn’t sell­ing any­thing but yourself…[just] your beau­ti­ful name.” He also talked about how kids in San Fran­cisco are sub­vert­ing author­ity by tag­ging using the free anti-graffiti paint intended for paint­ing over graf­fiti. McGee showed us how youth are per­sis­tent in mak­ing their mark “in the land­scape of things”.

Installation by Carlos Motta

Car­los Motta

Car­los Motta’s pre­sen­ta­tion focused on his doc­u­men­ta­tion of queer youth activism, in par­tic­u­lar, activism that lies out­side of main­stream pol­i­tics. The national focus on gay rights mainly involves the insti­tu­tions of mar­riage, mil­i­tary, and the prison indus­trial com­plex. Motta is inter­ested in rad­i­cal activism that works out­side of this space. In his research, Motta has inter­viewed Quee­ro­c­racy, a group that has worked on AIDS fund­ing and crim­i­nal­iza­tion based on HIV sta­tus, and Felipe Baeza, an undoc­u­mented U.S. res­i­dent and queer activist, who focuses on the rights of undoc­u­mented res­i­dents, espe­cially their right to an edu­ca­tion.

Ellin O’Leary spoke about her orga­ni­za­tion, Youth Radio, which gives low-income youth the resources to pro­duce radio shows, videos, music, and other forms of dig­i­tal media. This allows young peo­ple to share their expe­ri­ences with a wider audi­ence, via a chan­nel they have com­plete con­trol over. She also talked about the inte­gra­tion of Youth Radio into the Oak­land com­mu­nity.  Young par­tic­i­pants at the orga­ni­za­tion helped trans­form the exte­rior of the build­ing into a memo­r­ial to Oscar Grant. They also helped start Art Mur­mur, a night street fes­ti­val cen­tered on the arts. Allow­ing the youth to start their own ini­tia­tives at the orga­ni­za­tion has helped the pro­gram to be accepted by the community.

Den­nis Scholl started off the panel dis­cus­sion by ask­ing how we can get youth ‘onto the board.’ At this state­ment, a man jumped up from the audi­ence and launched into a spo­ken word per­for­mance about the impor­tance of edu­ca­tion and the neg­a­tive impact that will be caused by bud­get cuts for many school sys­tems.  He also remarked on the fact that many impor­tant life lessons are miss­ing from the school cur­ricu­lum; for exam­ple, money and phys­i­cal appear­ance aren’t every­thing. The pan­elists looked on, sur­prised and inter­ested. At the con­clu­sion of the per­for­mance, Den­nis revealed that we had expe­ri­enced a “Ran­dom Act of Cul­ture num­ber 1,245”. The per­former was Jamarr Hall, a mem­ber of the Philly Youth Poetry Move­ment, and Den­nis had invited him to the panel.

Dur­ing the sub­se­quent Q&A, the speak­ers touched on the themes of empow­er­ing youth, self-organizing, and the dig­i­tal rev­o­lu­tion. Speak­ers com­mented on the impor­tance of giv­ing youth choices and options as a way to empower them. Car­los men­tioned youth activists in South Korea, who were able to self-organize and find safe places to meet. The speak­ers also dis­cussed the dig­i­tal rev­o­lu­tion and the ben­e­fits and chal­lenges that come with any change. Social media and SMS gives youth a way to self-organize and com­mu­ni­cate quickly but at the same time, there are some groups that are mar­gin­al­ized on these platforms.

Audience feedback

The audi­ence speaks back.

The first audi­ence mem­ber that spoke gave a cri­tique rather than a ques­tion. He chal­lenged the entire premise of the panel, remark­ing that youth did not want to be on “the board” with the pan­elists, and they were more inter­ested in mak­ing their own board. He told the panel that instead of try­ing to solve society’s prob­lems, “you need to focus on the obsta­cles you present…We’re wor­ried about you. We don’t trust you.” He also pointed out that there were very few young peo­ple at the panel.

The pan­elists did not reply.

More ques­tions fol­lowed from the audi­ence, from edu­ca­tors and adults who work with young, low-income peo­ple, about how to allow kids to be freer and unre­stricted and how to get low-income stu­dents inter­ested in par­tic­i­pat­ing in com­mu­nity service.

But none of the ensu­ing dis­cus­sion was as inter­est­ing as the chal­lenge from that first audi­ence mem­ber. The inter­ac­tion left me think­ing, what was the pur­pose of a panel about youth put on by adults for adults? Are peo­ple co-opting the tal­ents and enthu­si­asm of young peo­ple for their own pur­poses or empow­er­ing them? Teens today face a world under­go­ing rapid change, and young people’s opin­ions on crit­i­cal issues don’t yet match up with the scale of the issues them­selves. Every step that helps young peo­ple engage more fully can­not be val­ued highly enough, and maybe they should be mak­ing their own board.

 

Broadway: 1000 Steps

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Fol­low­ing a long his­tory of New York City art instal­la­tions, artist Mary Miss is cur­rently work­ing on her own con­tri­bu­tion: to bring infor­ma­tion about sus­tain­abil­ity to the pub­lic. In her pro­posal, Mary Miss aims to adorn Broad­way with a series of art pieces (rep­re­sented above) which fuse art and infor­ma­tion into a unique com­bi­na­tion. The project has been researched and devel­oped over the past few years, and is now com­ing to the street.

Res­i­dents and passersby can expe­ri­ence a taste of her work on 137th Street and Broad­way where a test site has been con­structed. With hopes that her work will bring com­mu­ni­ties together through inter­est in cre­at­ing a more sus­tain­able envi­ron­ment, she has devel­oped her project through the joint effort between Mary Miss, the fac­ulty and stu­dents of  the City Col­lege Acad­emy for Pro­fes­sional Prepa­ra­tion (CCAPP) Divi­sion of Sci­ence, the Mon­te­fiore Park Neigh­bor­hood Asso­ci­a­tion, and Com­mu­nity Board 9. Hav­ing drawn inspi­ra­tion from a vari­ety of groups, the project is an eclec­tic composition.

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http://​www​.nyc​gov​parks​.org/​s​u​b​_​t​h​i​n​g​s​_​t​o​_​d​o​/​a​t​t​r​a​c​t​i​o​n​s​/​p​u​b​l​i​c​_​a​r​t​/​i​m​a​g​e​s​/​f​u​l​l​s​i​z​e​/​m​a​r​y​_​m​i​s​s​_​l​g​.jp

On her jour­ney toward mate­ri­al­iz­ing her vision, Mary Miss has recently hosted a series of discussion-based events for which she has invited design­ers and fac­ulty mem­bers from insti­tu­tions such as Colum­bia Uni­ver­sity and the Amer­i­can Insti­tute of Archi­tects. Hav­ing already accu­mu­lated infor­ma­tion of her goal top­ics of water, air, energy, life, waste, and food, she now focuses on find­ing new ideas for pub­lic­ity and mov­ing her work away from the realm of small park art instal­la­tions and into a city­wide art piece.

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Sub­tle, ele­gant, and reflec­tive, Mary Miss’ project still has a ways to go before it can be found along the pave­ments of Broad­way. Once in place along the city’s longest thor­ough­fare, thou­sands of pedes­tri­ans will be able to enjoy her work and be reminded of how they can help shape a sus­tain­able community.

To read more on Mary Miss and the Broad­way: 1000 steps project, see our inter­view with the artist.

 

Mariellé Anzelone

There are few places in Amer­ica where you can you lose your­self in a shaded for­est teem­ing with hun­dreds of diverse species, take a twenty-minute break to enjoy chicharos and empanadas at a Mex­i­can bodega, and then return to the wilder­ness to fin­ish your hike. That is exactly what we did on a Thurs­day after­noon last fall with urban ecol­o­gist Mariellé Anzelone.

Mariellé walked us through Inwood Hill Park at the north­ern tip of Man­hat­tan. Along the way we touched white wood aster, witch-hazel, and shade-tolerant species of gold­en­rod as she iden­ti­fied the plants. Inwood Hill Park is decid­edly urban – over­head, planes momen­tar­ily drowned out Mariellé’s expla­na­tion of earth­worms’ neg­a­tive impact on for­est soils and the sound of fall leaves crunch­ing under­foot, while trusses of the Henry Hud­son Bridge just became vis­i­ble through the shed­ding branches of oak trees. How­ever, after hik­ing ten min­utes into the woods, it really felt like a depar­ture from the city. This is a feel­ing that Mariellé is attempt­ing to bring to a wider pop­u­la­tion of New York­ers, a feel­ing she hopes will encour­age peo­ple to rethink the way we aim to ‘green’ NYC.

What exactly does con­ser­va­tion mean in an urban envi­ron­ment like New York City’s?

Peo­ple imag­ine that urban ecol­ogy is start­ing with a clean slate. They think nature must be “designed in” because no pre­ex­ist­ing part of a city’s land­scape still exists. That’s not true; one-eighth of New York City is com­prised of nat­ural areas. The issue is that nature is com­plex — the def­i­n­i­tion of “nat­ural” and the meth­ods for mea­sur­ing it are less than explicit. It’s much eas­ier to pro­tect things in situ than it is to restore or cre­ate nat­ural spaces from scratch.

Money is abun­dant for restora­tion and inter­ven­tion projects, for bring­ing land­scap­ing into urban sites. There are great “before and after” pic­tures. Peo­ple love the High Line, and I do as well. It’s nature in the city. But, it’s a gussied-up nature for peo­ple to imbibe and digest. It takes people’s atten­tion away from the nat­ural spaces. When a land­scape is designed, it is always dumbed down and sim­pli­fied nature — you get nowhere near the com­plex­ity of a nat­ural sys­tem in a built park.  It’s com­pletely dif­fer­ent from a genetic standpoint.

It’s much eas­ier to pro­tect nature than it is to re-create nat­ural spaces from scratch.

To many peo­ple, nature in NYC is usu­ally about build­ing more parks. For you, what is the dif­fer­ence between build­ing more parks and pro­tect­ing exist­ing nat­ural spaces?

It may not make a dif­fer­ence from an “admi­ra­tion stand­point,” but you don’t see this rich­ness of flora in con­trived land­scapes. I’m really pas­sion­ate about plant con­ser­va­tion and I want to know what we’re los­ing and what’s rare. To me, that’s inform­ing man­age­ment: How we are fail­ing these plants and how can we redress that?

See­ing cer­tain plants also speaks to some­thing. For exam­ple, see­ing that low bush blue­berry ear­lier told me that the soil is low pH and mostly undis­turbed. There are myc­or­rhizae that grow with blue­berry, which is this inti­mate fun­gal rela­tion­ship that they have along their roots and it helps them to uptake more nutri­ents from the soil.

And that level of com­plex­ity is what’s lack­ing in a man­i­cured park or green space?

Yes. A long-term, sus­tained, man­i­cured land­scape relies on con­stant human input. Soils are so com­plex. When you see a place being devel­oped and you see all that native top­soil that has evolved here over 20,000 years being removed… it’s heart­break­ing, if only to me.

 Other peo­ple may be sat­is­fied walk­ing through spaces like the High Line. The High Line is won­der­ful, but to not have sort of unknown places like Inwood Hill Park where we can dis­cover and explore would be really unfortunate.

Let’s say we lose these places that have been rel­a­tively untouched, we lose the com­plex­ity found in these places. What’s the impact?

Remem­ber the Red Admi­ral but­ter­fly that we saw while we were walk­ing around? It’s a migra­tory species, and pulses of them flock through here. The same with a lot of bird species.

Large nat­ural spaces pro­vide many dif­fer­ent lev­els of habi­tat for a vari­ety of species. Poi­son ivy, for exam­ple, is one of the first plants to turn bright red in the fall — the thought is that these plants have really valu­able fruit, and they want to adver­tise their fruit to the birds that are pass­ing en masse.

So that they will eat the berries and spread the seeds?

Exactly, and since birds can’t see the dark blue of the berries, but they can see red, it’s a way to adver­tise that there is some­thing of inter­est down here. So these high-fat berries for­tify the birds for their migra­tory flight, and since they dis­perse the berry seeds by eat­ing them, the plants also win. Who designs for that? When you lose spaces like this, you just lose all of that.

What do you do as an urban ecol­o­gist in New York City?

My work varies depend­ing on which projects I’m engaged in, and the time of year. I teach a class called “Sus­tain­able Gar­den­ing with Natives” at the New School. I’ve been writ­ing op-eds for the New York Times. I founded NYC Wild­flower Week, which I orga­nize every year. I also spent many years work­ing as a plant ecol­o­gist for the New York City Parks Department–most of my work there was in conservation.

I need to share my love for these things with other people —

Is the bat­tle for pro­tect­ing bio­di­ver­sity more of a bat­tle for preser­va­tion than it is for smarter design in green spaces?

We can do both simul­ta­ne­ously, and they feed into each other. But, while there’s not a lot of dis­cus­sion around preser­va­tion, there is a lot of talk about design. Design is sexy, and archi­tects are really excited and ready to jump on the band­wagon for design­ing green spaces. But the most basic level is sav­ing the huge tracts of nat­ural land that we have. PlaNYC, which is a won­der­ful doc­u­ment, iron­i­cally talks about bio­di­ver­sity and about plant­ing trees, but at the same time it is talk­ing about build­ing huge des­ti­na­tion parks in all the boroughs.

Like Freshkills Park on Staten Island? 

Freshkills is one of them, but there are places like Ocean Breeze, also in Staten Island, and Ridge­wood Reser­voir on the Queens/Brooklyn bor­der.  There are sig­nif­i­cant nat­ural areas there already that they want to pave over and make into recre­ational park facil­i­ties. To me, there is a sense of irony there. They are work­ing really hard to plant a mil­lion trees, which is a won­der­ful goal, but why aren’t we pre­serv­ing what we have?

What has to hap­pen to change the way we look at green space so that PlaNYC is talk­ing about con­ser­va­tion, bio­di­ver­sity, and con­tigu­ous nat­ural spaces instead of just recre­ational parks or street trees?

Writ­ing my piece on the Tor­rey moun­tain mint for the New York Times was so utterly dev­as­tat­ing for me, and after it was pub­lished I got a ton of peo­ple email­ing me say­ing, “Your arti­cle made me cry,” and I thought “…good.” It’s not to be mean, it’s that I want peo­ple to feel that dev­as­ta­tion so that maybe down the road they want to be vested in a local land­scape near them, too. In any case, at that point I real­ized I can’t pre­serve the things I love in a vacuum.

I need to share my love for these things with other peo­ple who are going to help me fight the fight. I started giv­ing talks at nature cen­ters around the city on plants–and it would always be about rare plants — rare plants of Marine Park, rare plants of Pel­ham Bay Park, etc, because no one cares about a plant unless it’s rare or a wild­flower. It’s sneaky but this is how you get peo­ple to care.

Once I left the Parks Depart­ment I started some­thing called NYC Wild­flower Week, which, quite hon­estly, is meant to build a con­stituency for these nat­ural areas. I have no hid­den agenda — I want an army of plant peo­ple like me, so that next time some­one wants to develop a salt marsh, there are 100 peo­ple hold­ing signs that say “LEAVE MY SPARTINA ALONE” and “SALT MARSH GRASS FOR EVERYONE.” That would be like a dream.

I want peo­ple to come with me — it’s lonely out there by myself. I try to show peo­ple places that have these won­der­ful plants and make them love them. And it’s a basic edu­ca­tion, but my hope is that over time it gets peo­ple to care to the point where they are also vested in this future, and speak­ing for the trees.

Now, if peo­ple are speak­ing for the trees it’s for street trees. If I hear one more per­son talk about street trees as an urban for­est, I’m going to lose my mind. I mean, street trees are great, but if that’s an urban for­est then what is Inwood Hill Park?

marielle_flower-webSome­thing that advo­cates in all walks of envi­ron­men­tal­ism face is that the gen­eral pub­lic becomes fix­ated on, or inter­ested in, some ele­ment of the move­ment and it takes all of their atten­tion from what might be more sig­nif­i­cant. Is there a solution?

It’s about mak­ing informed choices. For exam­ple, the east­ern ridge of Inwood Hill is pretty eco­log­i­cally intact but the west­ern ridge has a his­tory of devel­op­ment, so it has a lot more inva­sives and exotics. If you’re going to put bike paths through Inwood Hill Park, that’s the place to do it.

Bik­ers may not know the dif­fer­ence between an inva­sive like mug­wort and a native aster, so put them through areas that are already degraded.  But choices like that take time and sen­si­tiv­ity, and these choices often come down to eco­log­i­cal sense or polit­i­cal expediency.

For a lot of peo­ple, hav­ing a place to go moun­tain bik­ing in nature is part of hav­ing a liv­able city. What makes a city liv­able to you?

Oh, boy… Well, I love the idea being able to walk places; I walk around a lot with my kids. We live really close to Prospect Park, and we love that. To me, Prospect Park is not the place that I’m going to go and get really excited, or weepy, about plants that I see. But it’s good enough and it’s good enough for my kids. There’s a play­ground, they can, you know, get their ya-yas out. And hav­ing that kind of blend of recre­ation and nature is really good. Hon­estly, that is going to sat­isfy most peo­ple in terms of being out in nature. The ques­tion then is why do we need to be delv­ing into nat­ural areas for moun­tain bike trails?

What do you say to peo­ple who agree with PlaNYC that we should be build­ing parks for peo­ple to play in, even if it means paving over a more nat­ural space to make room?

Why can’t we have des­ti­na­tion around nature instead of ten­nis courts or other recre­ational facil­i­ties? There is a lack of vision and lack of under­stand­ing about what these exist­ing spaces are doing for us. That under­stand­ing isn’t rep­re­sented when deci­sions are being made, and I think that is huge prob­lem. The last time I saw the pro­posal for Ocean Breeze Park, they knew that there are at least twelve, state-listed, rare plant species grow­ing wild there that haven’t been taken into account. That’s cause for concern.

At City Atlas, we’re also pas­sion­ate about the issues you are fight­ing for, but we’re not ecol­o­gists — we aren’t trained in the details of species and their habi­tats.  What can peo­ple like us do?

Doing this kind of thing–talking to ecologists–is really impor­tant in get­ting that mes­sage out. Another thing is bring­ing peo­ple who make deci­sions, who design spaces, and work in green build­ing together with peo­ple who know about ecology.

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Design­ers and archi­tects do have a lot of input on how these spaces ulti­mately end up.

They do, and ecol­o­gists really don’t.

This might get me in trou­ble, but I’ve met with a lot of design­ers and mostly I’ve found them to be really con­fi­dent in their lack of deep knowl­edge. They say, “Oh, we don’t need to work with ecol­o­gists because we have in– house exper­tise.” And I’m think­ing: On local native flora? I promise that you don’t.  It’s just a fact — I mean, how do you define nativ­ity? And how do you under­stand what’s rare and what isn’t? 

Design­ers have so much power and there’s a lot of pat­ting on your own back, as in, “Wasn’t I bril­liant to think of adding native grasses to the green­roof instead of sedum?” Kudos for try­ing to think out­side the box, but there’s this really expan­sive con­ver­sa­tion going on in the ecol­ogy world and you’re not hear­ing it.

There could be a really rich dia­logue between those two worlds. How do you make these peo­ple lis­ten to some­one who has this knowl­edge? That’s why I keep cir­cling back to pol­icy, which I think is so impor­tant. I mean, I can’t make these peo­ple do it, but I’m like, “by God, someone’s got to.”

About Mariellé Anzelone

As a botanist and urban con­ser­va­tion biol­o­gist, Mariellé Anzelone pre­serves and restores the floris­tic diver­sity of the five bor­oughs. Her cur­rent research includes the NYC Native Plant Con­ser­va­tion Ini­tia­tive in part­ner­ship with the Brook­lyn Botanic Gar­den and NYC Depart­ment of Parks & Recre­ation; she also lec­tures exten­sively in the NYC-metro area. Her gar­den and land­scape design work is inspired by the beauty of regional plant communities.

She is a fre­quent con­trib­u­tor to The New York Times, includ­ing writ­ing a botan­i­cal op-art piece on the extinct flora of NYC“When New York City Bloomed,” and a 14-week series, Autumn Unfolds, report­ing on the changes in a for­est in upper Man­hat­tan. Anzelone is the exec­u­tive direc­tor of  NYC Wild­flower Week, which will hold over 30 events across all of the five bor­oughs, from May 11 – 19, 2013.

A bill that Anzelone helped develop, to sup­port native bio­di­ver­sity in pub­lic land­scapes, was approved by the City Coun­cil and signed into law by Mayor Bloomberg in Feb­ru­ary, 2013.

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Pho­tographs by Mau­reen Drennan

Inset photo, top: blue stemmed gold­en­rod (Sol­idago caesia)

Inset photo, bot­tom: red maple (Acer rubrum)

 

Community comes together to restore the Jamaica Bay Salt Marsh

seining  Dubos Point copy

Jamaica Bay Restora­tion Corps youth vol­un­teers busy at work dur­ing the pre­vi­ous years’ marsh restoration.

This May, hun­dreds of local vol­un­teers will band together in an effort to save, restore, and pro­tect the Jamaica Bay Salt Marsh. As the first community-led marsh restora­tion project in the National Parks Ser­vice, the Jamaica Bay Guardian Pro­gram and Restora­tion Corps–both run by the Amer­i­can Lit­toral Society–plan to orga­nize and edu­cate local youth vol­un­teers and par­tic­i­pants the nec­es­sary pro­ce­dures  and action towards marsh restoration.

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An exam­ple of the severe salt marsh ero­sion found at Rulers Bar.

 

 

 

 

 

 

 

 

Since 1924, it is esti­mated that nearly 1,400 acres of tidal salt marsh have been lost from the Jamaica Bay. Today, it is esti­mated that the marsh will con­tinue to dete­ri­o­rate at a shock­ing rate of 40 acres each year. As a result, marsh-dependent fish and wildlife pop­u­la­tions con­tinue to decline, while water qual­ity decreases and flood risks on the main­land grow ever greater. Home to over 80 species of fin fish, as well as a pop­u­lar rest­ing and feed­ing place for over 330 species of migrat­ing and native birds, these wet­lands serve as an impor­tant habi­tat rich with nutri­ents. The loss of such a habi­tat would truly be detri­men­tal to the ecosys­tems that are sup­ported by it–humans included.

That is why the Amer­i­can Lit­toral Soci­ety has made sav­ing and pre­serv­ing the wet­land a pri­or­ity in the Jamaica Bay Marsh Restora­tion Ini­tia­tive. Focus­ing on the badly degraded marsh islands, Rulers Bar and Black Wall, vol­un­teers will par­take in har­vest­ing 250 lbs of spartina–a com­mon coastal salt marsh cordgrass–that will be prop­a­gated into plugs and planted on over 30 acres of salt marsh. In addi­tion to seed har­vest­ing, par­tic­i­pants will help to remove debris lin­ing the marsh shore­line, as well as to remove and con­trol any inva­sive species.

By restor­ing the salt marsh, the ALS is hope­ful that the local wildlife will flour­ish once again within this habi­tat, and at the same time, reestab­lish a very nec­es­sary buffer sys­tem in defend­ing the coast­line from the increas­ing risk of haz­ardous tidal storm surges. If we have learned any­thing from Super­storm Sandy, our com­mu­ni­ties need to become more proac­tive in defend­ing our coast­lines and work toward ways to coun­ter­act cli­mate change. The Jamaica Bay Marsh Restora­tion Ini­tia­tive is, with­out a doubt, a great way to start.

For more infor­ma­tion on the marsh restora­tion, visit the Jamaica Bay Marsh Restora­tion Ini­tia­tive web­site. And if you are inter­ested in par­tic­i­pat­ing in the marsh restora­tion this com­ing May, don’t for­get to sign up as a vol­un­teer!

Pho­tos: Eliz­a­beth Manclark

Stormwater Management Workshop

GrowNYC’s Open Space Green­ing Assis­tant Direc­tor Lenny Lib­rizzi will be pre­sent­ing a series of Stormwa­ter Man­age­ment work­shops at the Queens Botan­i­cal Garden.

The two-hour work­shop will cover stormwa­ter man­age­ment best prac­tices for com­mu­nity gar­den­ers and home­own­ers. Learn how to con­serve water and help pre­vent pol­lu­tion from stormwa­ter by dis­cussing top­ics such as rain­wa­ter har­vest­ing, swales, rain gar­dens, enhanced tree pits, per­me­able paving, and more.

Infor­ma­tion about sources for start-up mate­ri­als and how-to tips will be discussed.

Fee: Free with Gar­den Admis­sion ($4 Adult; $3 Seniors; $2 Stu­dents with ID and chil­dren over 3)

**PRE-REGISTRATION REQUIRED!**
To Reg­is­ter, e-mail schoolprograms@​queensbotanical.​org or call 718–886-3800 x.230.

Going Green in Queens 2013

Join Going Green in Queens and hun­dreds of sustainability-minded guests for a free green­ing edu­ca­tional and net­work­ing con­fer­ence. Stop by and see more than 60 tablers/exhibits and choose from six free work­shops to attend. (Work­shops will start at 11am and 1pm.) Also, dur­ing the day, enjoy a short film fes­ti­val dur­ing the day, a tour of the pool, food, give­aways and fun!

Ian Urbina — NYTimes fracking investigator at NYU

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Ian Urbina’s inves­ti­ga­tion of frack­ing waste get­ting dis­posed in rivers made frack­ing the top story on the cover of the times in Feb­ru­ary, 2011, a height in the frack­ing time­line altogether.

That arti­cle pre­cluded a series of long-form, muck-raking reports called “Drilling Down-Series.”

Tick­ets are free but reg­is­tra­tion runs out.

Image Credit: NYTimes

 

Pete Seeger: Sailing the Hudson in the name of activism

Leg­endary folk artist Pete Seeger con­tin­ues to expand his legacy by work­ing to save our planet. As the founder of Clear­wa­ter, a grass­roots model for clean­ing up the Hud­son River and mold­ing a new gen­er­a­tion of environmentally-conscious lead­ers, Seeger has earned recog­ni­tion as one of the more impor­tant pio­neers and inno­va­tors in envi­ron­men­tal activism.

Along with his hit songs “Where Have All the Flow­ers Gone” and (from his Clear­wa­ter album) “Sail­ing Up, Sail­ing Down,” Seeger is also well-known for his involve­ment as a polit­i­cal activist. He holds an exten­sive resumé, rang­ing from his ded­i­ca­tion to civil and labor rights for all to speak­ing out against the Span­ish Civil War, the Viet­nam War, and the Arms Race, to his extra­or­di­nary accom­plish­ments as an environmentalist.

Seeger’s most note­wor­thy and cel­e­brated under­tak­ing as an advo­cate for the envi­ron­ment is his cre­ation of Clear­wa­ter, which launched in 1969. Clear­wa­ter is a sloop (or single-masted sail­ing ves­sel) that sails the ends of the Hud­son River–from Albany to New York City, and stops just about every­where in between.

On these scenic sail­ing excur­sions, Seeger pro­motes envi­ron­men­tal aware­ness and polit­i­cal activism with a heavy empha­sis on the issues that face the Hud­son River. Through song and edu­ca­tional pro­grams, he teaches his fel­low sea­far­ers about the impor­tance of a green planet with clean waterways .

For forty years, Seeger and his Clear­wa­ter ship­mates have edu­cated gen­er­a­tions with a num­ber of pro­grams, includ­ing the Green Cities Ini­tia­tive, Water­shed Man­age­ment, the Indian Point Cam­paign, the Hud­son River Poly­chlo­ri­nated Biphenyls Reme­di­a­tion, Envi­ron­men­tal Jus­tice, Cli­mate Jus­tice, and his most recent endeavor in cre­at­ing a new gen­er­a­tion of more environmentally-conscious youth lead­ers: the Next Gen­er­a­tion Legacy Project.

To get involved, sign up for classes, intern­ships, and vol­un­teer work, go here.

You can also view a map of the many dock loca­tions where the sloop Clear­wa­ter reg­u­larly sails from and for direc­tions information.

For more infor­ma­tion on Clear­wa­ter, its part­ner­ship pro­grams, and cal­en­dar of events, visit here.

Also, don’t for­get the Clear­wa­ter Fes­ti­val June 15–16, 2013 at Cro­ton Point Park in Westch­ester, NY.

Photo: Annie Leibovitz

World Water Day at the Central Park Conservancy

Save the Date! Cel­e­brate World Water Day with the Cen­tral Park Con­ser­vancy and River­keeper, New York’s clean water advo­cacy group! Learn how Cen­tral Park plays a vital role in pro­tect­ing New York City’s water­ways with Phillip Musegaas, envi­ron­men­tal lawyer for River­keeper and how the Park’s water resources are main­tained for the health of its plants and wildlife with Tina Nel­son, Coor­di­na­tor of the Water, Soil, and Ecol­ogy Lab for the Conservancy.

This talk is part of the Conservancy’s monthly Harlem Meer Social Hour.

Streetfilms re-introduces Zozo, the purple livable streets hero!

Street­films is rein­tro­duc­ing their Jim-Henson-designed, child-friendly urban plan­ning mas­cot: Zozo, the pur­ple liv­able streets hero. As described on meet​zozo​.com, “Zozo makes friends wher­ever he goes. Zozo loves to talk to peo­ple about walk­ing, bik­ing, using tran­sit and mak­ing a bet­ter, hap­pier city. As New York becomes more liv­able, the more Zozos will come back to join him.” (Yipes!)

Street­films, an orga­ni­za­tion that pro­duces short films about trans­porta­tion around the world, is now bring­ing Zozo back to where he once belonged. Although orig­i­nally designed and devel­oped last year, the project–which includes a series of vignettes, col­or­ing pages, and teach­ing curriculum–never gained a large fol­low­ing because it’s cre­ator, the Liv­able Streets Edu­ca­tion project, is no longer oper­at­ing. The 10 Zozo vignettes are meant to teach chil­dren about the impor­tance of street safety, as well as the ben­e­fits of walk­ing, cycling, and using pub­lic trans­porta­tion. And, although meant for chil­dren, these videos will make every­one laugh.

To help Street­films spread the word about Zozo, watch their videos on Vimeo, print out col­or­ing book pages at the project’s web­site, meet​zozo​.com, and talk to your kids and your friends about the project. Street­films also doc­u­mented the cre­ation of Zozo project in their short doc­u­men­tary “The Search for the Zozo.” Check it out!

KochAndGonzoIt’s worth not­ing that NYC has a unique his­tory of civic-minded Hen­son crea­tures, as can be seen in this photo of the late Mayor Ed Koch and the mup­pet Gonzo at a press con­fer­ence. (The mayor remarked, “If he can also bal­ance a bud­get, I’ll hire him.”)

Photo, top: Street­films; bot­tom: mup​pet​.wikia​.com 

 

Food and (also) fracking

food-and-frackingThe cam­paign for Helen Rosen­thal for City Coun­cil is host­ing an event both about food and also fracking.

Lisa Suri­ano and Joy Pier­son, co-chairs of the New York Coali­tion for Healthy School Food, will talk about intro­duc­ing plant-based entrees and nutri­tion edu­ca­tion for children’s health and the environment.

Angela Monti Fox, mother of famed “Gas Land” film­maker, Josh Fox, and, founder of The Mother’s Project, will talk about frack­ing. The Mother’s Project is a cam­paign that unites moth­ers on envi­ron­men­tal shale gas issues.

Five moms from the Dis­trict 3 Schools Group will talk about com­post­ing in school cafeterias.

(Must RSVP to rsvp@​Helenrosenthal.​com. Be sure to know where dona­tions go to).

Environmental Justice & Transportation (Lecture)

Screen Shot 2013-02-01 at 12.13.50 AMEnvi­ron­men­tal jus­tice lead­ers from the Bronx and from Brook­lyn speak about trans­porta­tion. Eddie Bautista of New York Envi­ron­men­tal Jus­tice Alliance hosts the trans­porta­tion lec­tures at Pratt Institute’s lec­ture series, “Democ­racy, Equity and the Pub­lic Realm.”

The series runs weekly until April 12. This lec­ture fea­tures Eliz­a­beth Yeampierre, Exec­u­tive Direc­tor of UPROSE and David Shuf­fler, Exec­u­tive Direc­tor of Youth Min­istries of Peace and Justice.

To RSVP con­tact Dana Fein­gold at dFeingol@​Pratt.​edu

Image from YMPJ​.org

Just Food Conference 2013

Just Food Conference 2013Hunger and food pol­icy, fish­eries, rooftop farm­ing, CSA orga­niz­ing, the food bank, local, sus­tain­able soul food…

There will be work­shops on these and other things at the annual two-day Food Jus­tice Con­fer­ence. Also, a CSA smackdown.

There are schol­ar­ship avail­able for this forty-five dol­lar event, as well as  five-dollar work­shops on job-finding.

(More info)

Dirt! The movie” — Free Green Film Screening

Dirt movieJaime Lee Cur­tis nar­rates this film about the envi­ron­men­tal, polit­i­cal, eco­nomic and cul­tural rela­tion­ships to dirt.

From vil­lages bat­tling cor­po­ra­tions, to the rise in organic farm­ing, to edi­ble school yards, peace of mind through hor­ti­cul­ture in pris­ons and solu­tions to health crises, this film explores world­wide efforts to recon­nect with this ancient thing.

(More info)

Uptown Climate Change Conference

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A sci­en­tist, an envi­ron­men­tal­ist and a radio talk show host will mull over the ques­tion: is Hur­ri­cane Sandy the new nor­mal? They will talk about cli­mate change and how it affects NYC and the world.

Speak­ers are Dr. Alle­gra LeGrande of the NASA God­dard Insti­tute for Space Stud­ies, Ted Glick of Chesa­peake Cli­mate Action Net­work and Ken Gale of WBAI’s “Eco-Logic.”

This event is spon­sored by North Man­hat­tan Neigh­bors for Peace and Jus­tice, Sen­a­tor Adri­ano Espail­lat, City Coun­cil Mem­bers Yda­nis Rodriquez and Robert Jack­son, Com­mu­nity Board 12, WE ACT for Envi­ron­men­tal Jus­tice and others.

Image: from flyer

Starting a Compost System at your School

Join the NYC Com­post Project in Man­hat­tan and learn how to set up a com­post pro­gram at your school.  We will dis­cuss how to build staff, par­ent, and vol­un­teer sup­port and how to incor­po­rate com­post­ing edu­ca­tion into the class­room. You will learn about com­post bin options and how to sucess­fully run your com­post sys­tem. Reg­is­tra­tion required. Work­shop fee $5 per person.

To reg­is­ter, go to: http://​www​.lese​c​ol​o​gy​cen​ter​.org/​i​n​d​e​x​.​p​h​p​/​c​a​l​e​n​d​a​r​.​h​t​m​l​?​t​a​s​k​=​v​i​e​w​_​d​e​t​a​i​l​&​a​m​p​;​a​g​i​d​=​2​5​1​&​a​m​p​;​y​e​a​r​=​2​0​1​3​&​a​m​p​;​m​o​n​t​h​=​2​&​a​m​p​;​d​a​y=5