Erik Benson’s paintings depict the landscape of everyday metropolitan life, created with thousands of shapes hand-cut from dried sheets of acrylic paint. Benson uses this painstaking compositional technique to capture the complexity of urban development, with its interplay of construction and creative destruction, density and emptiness. Familiar cityscapes emerge as more complex than they initially appear.

Originally I was interested in creating a painting vocabulary that depicted the plasticity and temporality of unexamined things such as playgrounds and construction sites,” says Benson. “These interests have been growing into ideas and concerns that deal with the urban landscape, such as how cities grow and shrink, and what these issues mean to the inhabitants.”

In these vivid new paintings, Benson considers the role and impact of playgrounds, trees and parks within evolving communities, often setting the saturated colors and bold shapes of play equipment and dynamic tree branch patterns against the muted backdrops of the surrounding buildings. Inspired by his neighborhood of Bushwick, Brooklyn, he creates works that are not precise representations, but rather archetypes, at once foreboding and optimistic.

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